{"id":6352,"date":"2018-05-02T12:03:48","date_gmt":"2018-05-02T12:03:48","guid":{"rendered":"https:\/\/revistaespiritu.istomas.org\/beauty-nature-and-arts-in-thomas-aquinas-thought\/"},"modified":"2021-05-22T14:04:58","modified_gmt":"2021-05-22T12:04:58","slug":"beauty-nature-and-arts-in-thomas-aquinas-thought","status":"publish","type":"post","link":"https:\/\/revistaespiritu.istomas.org\/en\/beauty-nature-and-arts-in-thomas-aquinas-thought\/","title":{"rendered":"Beauty, nature and arts in Thomas Aquinas\u2019 thought"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″][et_pb_row admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”94%” width_tablet=”80%” width_last_edited=”on|desktop” max_width=”94%” max_width_tablet=”80%” max_width_last_edited=”on|desktop” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” column_structure=”1_4,1_2,1_4″][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|30px||” custom_css_main_element=”border-right: 1px solid #3c8859;” custom_padding__hover=”|||”][et_pb_button button_url=”https:\/\/revistaespiritu.istomas.org\/en\/issue-154\/” button_text=”Back” button_alignment=”center” _builder_version=”3.16″ custom_button=”on” button_text_color=”#062a08″ button_bg_color=”#fcfcfc” button_border_width=”1″ button_border_color=”#062a08″ button_icon=”%%19%%” button_icon_color=”#3c8859″ button_icon_placement=”left” button_text_color_hover=”#3c8859″ button_border_color_hover=”#3c8859″ button_bg_color_hover=”#ffffff” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”on” button_text_color__hover=”#3c8859″ button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”on” button_border_color__hover=”#3c8859″ button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”on” button_bg_color__hover=”#ffffff” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_button][et_pb_image src=”https:\/\/revistaespiritu.istomas.org\/wp-content\/uploads\/2018\/01\/papa.jpg” alt=”Virtud y ser seg\u00fan Tom\u00e1s de Aquino” title_text=”Virtud y ser seg\u00fan Tom\u00e1s de Aquino” url=”https:\/\/revistaespiritu.istomas.org\/wp-content\/uploads\/2018\/01\/arti\u0301culo-papa.pdf” url_new_window=”on” align=”center” align_tablet=”center” align_last_edited=”on|desktop” _builder_version=”3.23″ animation=”off” sticky=”off” use_border_color=”off” border_color=”#ffffff” border_style=”solid” always_center_on_mobile=”on”][\/et_pb_image][et_pb_button button_url=”https:\/\/revistaespiritu.istomas.org\/wp-content\/uploads\/2018\/01\/arti\u0301culo-papa.pdf” url_new_window=”on” button_text=”Download text” button_alignment=”center” _builder_version=”3.16″ button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_post_title meta=”off” featured_image=”off” _builder_version=”3.0.87″ title_font_size=”32px” parallax=”on” parallax_method=”off” text_orientation=”center” use_border_color=”off” border_color=”#ffffff” border_style=”solid” parallax_effect=”on”][\/et_pb_post_title][et_pb_text _builder_version=”3.27.4″ use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

Author:<\/strong><\/h4>\n

Rodolfo Papa
\n[\/et_pb_text][et_pb_text _builder_version=”3.27.4″ use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

Location:<\/strong><\/h4>\n

Esp\u00edritu: cuadernos del Instituto Filos\u00f3fico de Balmesiana, ISSN<\/acronym> 0014-0716, Year 66, Issue. 154, 2017<\/a>, pages<\/abbr> 427-442
\n[\/et_pb_text][et_pb_text _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

Language:<\/h4>\n

Italian
\n[\/et_pb_text][et_pb_text _builder_version=”3.27.4″ text_orientation=”justified” use_border_color=”off”]<\/p>\n

Abstract:<\/h4>\n

The present study analyzes the Thomistic doctrine concerning the foundations of art and beauty and the relationship between beauty and goodness.
\nAlthough a complete artistic theory is not found in Thomistic intents, several texts of Thomas Aquinas give valuable clues for an organic theory of art aimed to beauty and good.
\nReference to nature is crucial for the production of an authentic human art, as can be seen in various examples from the past.
\nThe following section discusses some of the implications derived from the Thomist position or, on the contrary, from a relativistic conception of the same.
\nFinally, it explains the usefulness of Thomas’ thinking for a renewed artistic realism.<\/p>\n

Key words:<\/h4>\n

Arts, beauty, aesthetics, ethics.<\/p>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/revistaespiritu.istomas.org\/wp-content\/uploads\/2021\/05\/abstract-papa.pdf” url_new_window=”on” button_text=”Download abstract” button_alignment=”center” _builder_version=”4.9.4″ hover_enabled=”0″ button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_sidebar orientation=”right” area=”sidebar-1″ _builder_version=”3.0.74″ header_font_size=”16″ remove_border=”off”][\/et_pb_sidebar][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

The present study analyzes the Thomistic doctrine concerning the foundations of art and beauty and the relationship between beauty and goodness.
\nAlthough a complete artistic theory is not found in Thomistic intents, several texts of Thomas Aquinas give valuable clues for an organic theory of art aimed to beauty and good.
\nReference to nature is crucial for the production of an authentic human art, as can be seen in various examples from the past.
\nThe following section discusses some of the implications derived from the Thomist position or, on the contrary, from a relativistic conception of the same.
\nFinally, it explains the usefulness of Thomas’ thinking for a renewed artistic realism.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[789],"tags":[1134],"class_list":["post-6352","post","type-post","status-publish","format-standard","hentry","category-154-2017-en","tag-papa-rodolfo","idioma-italian","tipologia-article"],"_links":{"self":[{"href":"https:\/\/revistaespiritu.istomas.org\/en\/wp-json\/wp\/v2\/posts\/6352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistaespiritu.istomas.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistaespiritu.istomas.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistaespiritu.istomas.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistaespiritu.istomas.org\/en\/wp-json\/wp\/v2\/comments?post=6352"}],"version-history":[{"count":0,"href":"https:\/\/revistaespiritu.istomas.org\/en\/wp-json\/wp\/v2\/posts\/6352\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistaespiritu.istomas.org\/en\/wp-json\/wp\/v2\/media?parent=6352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistaespiritu.istomas.org\/en\/wp-json\/wp\/v2\/categories?post=6352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistaespiritu.istomas.org\/en\/wp-json\/wp\/v2\/tags?post=6352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}